The CATS exhibition Hamburg at MARKK explores 10,000 years of feline presence in art, mythology, religion, and modern pop culture. From ancient Bastet worship to interactive meme stations, the exhibition blends serious scholarship with playful participation — and two weeks after visiting, it’s still living rent-free in my mind.
The CATS exhibition Hamburg at MARKK may have opened on Dec 5, 2025, but two weeks later it’s still living rent-free in my imagination. From ancient Bastet worship to modern meme culture, this immersive show blends humor, history, art, and interactivity in a way only cats could inspire.
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Two Weeks After Hamburg: My Heart Still Lives Inside the CATS Exhibition at MARKK
I can’t believe it’s already been two weeks since I stepped into Hamburg’s Museum am Rothenbaum (MARKK) for the CATS! exhibition press conference and grand opening. Honestly? I’m still buzzing. My suitcase is finally unpacked, my voice is normal again, the tea-and-honey phase is over – and yet my mind is still roaming those feline halls.
If you’ve been following my previous pieces (and if you haven’t, where have you been?), you already know this was no ordinary trip. First came the shock of being invited to the CATS exhibition Hamburg in the first place – the squeaky “Woohoo!” moment,the last-minute scramble to arrange cat-sitting, and the hunt for a Pawshake hero brave enough to care for Tito, Pierre, and Myratz.
Then came my interview with the exhibition’s curators Johanna Wild and Lotte Warnsholdt – a conversation that reshaped the way I view ancient cats, modern cats, mythical cats, and honestly, Tito too. And finally, the press conference itself: first impressions, first footage, first goosebumps.
This new article? This one is the afterglow.
It’s the story of what stayed with me once the lights dimmed, once I flew home, once Tito sniffed my suitcase suspiciously like I’d cheated on him with 5,000 years of feline culture. (I had.)

Favorite Moments from the CATS Exhibition Hamburg
The first shock wasn’t the crowd or the cameras – it was the museum itself. MARKK is not a dusty relic hall. It’s a living world-cultures powerhouse, and the CATS exhibition Hamburg wears that identity like velvet.
From the moment I entered, I felt that balance only museums with real intention achieve: deep academic rigor on one side – and cultural joy on the other. The entire show is immersive, layered, funny, emotional, and full of silent elegance, like a cat deciding to ignore you because you’re not serving dinner yet.
Sections unfold like stories:
- Egyptian cat mummies full of Bastet-energy
- Japanese beckoning cat culture
- Islands, mountains, deserts – each with their own feline spirits
- Ancient artifacts that practically purr when you get close
- Contemporary art that makes you grin like a kid scrolling memes
It’s rare that a museum treats cats seriously without taking itself too seriously. But CATS exhibition Hamburg nails it.
The Night of the Opening – A Purring Blur
Opening night was a human zoo – journalists, scholars, museum people and cat lovers everywhere. No wonder I didn’t notice my German limitations; the exhibition’s visual storytelling does most of the talking.
Johanna and Lotte radiated warmth during their introduction, speaking about mythology, global exchange, fear, worship, and modern reinvention. Even without catching every word, I felt every idea.
Cat people are a special breed – emotional, curious, and occasionally plotting to steal antiquities. No names.


Favorite Moments That Still Follow Me
Some exhibitions evaporate. This one stuck.
1. A massive cat-shaped sofa-bed where you could sit, lounge, or fully stretch out while watching looping cat videos like some decadent feline aristocrat.
2. A wall dedicated to the ultimate “cat city” – Istanbul – where street cats rule the sidewalks, rooftops, and the collective public heart.
3. The mirrored Maneki-Neko space – a glittering hall of lucky cats, row after row of tiny raised paws multiplying into infinity.
4. Ancient objects beside modern installations – continuity across millennia.
5. And yes – the meme station.
Scanning a QR code and downloading your own cat meme directly to your phone is peak civilization. Tito approves.
Inara and the Age of Digital Feline Worship
And speaking of modern cat icons – Inara from OperaAir practically had her own celebrity presence in Hamburg. She wasn’t physically at MARKK (she prefers digital realms and algorithmic stardom), but her energy was everywhere: playful, curious, endlessly screenshot-able. While the museum explored cats across empires and mythologies, Inara reminded us that today’s feline power is fully online – she lives in browsers, goes on giveaway tours, and collects followers like temple offerings. A cat mascot going viral across Europe? That’s just the 2025 version of worship.
Why the CATS Exhibition Hamburg Works: Interactivity, Humor, Mythology
Here’s what surprised me most:
The CATS exhibition Hamburg lets you participate. That is rare in serious museum culture.
You can:
- watch films
- listen to legends
- try interactive displays
- dress yourself as a proper cat lady
- rethink the feline in art
It’s equal parts scholarship and play.

Meanwhile, Back Home…
My Pawshake sitter kept sending proof that the trio had not perished:
- Myratz sleeping like a pastry
- Pierre judging everyone
- Tito doing cardio on the cat tree
I missed them, but Hamburg was worth the emotional betrayal.
The Big Realization
Cats are not decoration. They are cultural mirrors. They shape religion, luck, superstition, gender roles, theatrical iconography, agricultural symbolism, and modern humor.
Seeing 10,000 years of cats in one place made me appreciate Tito’s dramatic sprints and Pierre’s grooming rituals as something truly ancient. We all belong to the same lineage of feline worshippers.
And Yes – I Want to Go Back
I genuinely could visit the CATS exhibition Hamburg ten times. The show runs until November 29, 2026, and I plan to return – camera ready, meme muscle warmed up.
If you’re planning a Hamburg trip, go. Museums should make you feel something – wonder, joy, curiosity, nostalgia. This one gave me all of that and the urge to adopt a statue.
Today, as Tito stares at me because I moved his blanket two centimeters, I finally understand the exhibition’s thesis:
Cats don’t just follow culture. They lead it.





